Film Pop: Extremely Loud and Incredibly Close

Year: 2011
Director: Stephen Daldry
Stars: Thomas Horn, Tom Hanks, Sandra Bullock
IMDb

Extremely Loud and Incredibly Close is the Oscar-nominated tale of a young boy coping in his own peculiar way with the death of his father in the September 11th attacks. Thomas Schell (Hanks) is always setting little challenges for his nine-year-old son Oskar (Horn) in order to teach him about life. After Thomas is caught attending a meeting in the World Trade Centre on “the Worst Day”, young Oskar is thrown into personal chaos, rejecting the affections of his mother (Bullock) to go on an epic adventure he believes his father intended for him. He is soon joined in his quest by his grandmother’s mysterious mute “renter” (Oscar nominee Max von Sydow), and the two journey throughout the five boroughs of New York in a seemingly impossible search for answers. They encounter a whole host of interesting characters (most of whom share the name Black) and learn a lot about life, each other and themselves.

It’s touching in parts, but a lot of the action seems unnecessary and perhaps the two-hour plus running time is a little too much for what it is. It’s also slightly annoying that, having no idea what the film was about beforehand, from the two names at the top of the DVD case I was expecting a little more Tom Hanks and Sandra Bullock. Instead I was made to sit through two hours of a somewhat annoying kid and this had me a little put out throughout. Nevertheless, despite the somewhat heavy subject matter the film displays an optimism in the face of adversity that can only serve to inspire even if it is a little hard to relate to some of the issues Oskar seems to struggle with.

This film marks the ninth of ten Best Picture nominees from 2011 that I’ve now seen, coming somewhere in the middle of a decidedly mediocre bunch (Midnight in Paris, the one I most wanted to see all along, has still managed to elude me and will probably let me down when the time comes). It was adapted from the novel of the same name by Jonathan Safran Foer, and as usual I haven’t read this (yet) so can’t pass judgement on that side of things. The theme of “child comes to terms with loss of parent” isn’t exactly an original one, but the approach is interesting and the emotive setting will certainly reach out to some perhaps more than it did to me.

So Extremely Loud and Incredibly Close is a little long and a little fantastical but I’d say it’s definitely one worth watching. At its best it’s highly moving, even if these moments are buried slightly too deep in dawdling drama, and at its worst it would be harsh to call it a bad film. Despite the feeling that I was tricked into watching it, it held my attention and came close to moving my emotions, which isn’t the easiest thing for a film to do. It’s not quite something I expect to watch again any time soon, but at least I don’t regret watching it in the first place.

My Rating: 6.5/10

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4 thoughts on “Film Pop: Extremely Loud and Incredibly Close”

  1. Good review Dan. This was a pretty bad flick, especially since the Thomas Horn kid just couldn’t pull it altogether. I get that he was supposed to be a kid with certain amount of problems, but to me, I just couldn’t help but want to smack him everytime he showed up and had to say something smart.

  2. I saw Midnight in Paris on an international flight. I liked it quite a lot. In that setting. In the cinema or on my tv, I’m not sure I would’ve enjoyed it much. But knowing you as I do, I reckon you’ll give it a standard 7.5/10 when you do manage to see it. 😛

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